It’s like a conversation that crosses time. Viard highlighted as a key piece a long gown entirely embroidered by the venerated Lesage atelier with “constructivist camellias” in black, white and coral beads, which she described as “references also belong to Gabrielle Chanel, of course. Even the bride who closed the show as per haute couture tradition looked casual, in a loose dress and no veil. Two-tone Mary Jane shoes and simple dancing dresses with wide-set straps brought a 1920s feel to evening wear. There was a jazzy caramel tweed, followed by a jacket worn with feathered trousers, and then a lavender jacket paired with white culottes with laser embroidery. Each look was slightly fancier than the last, but in subtle gradations. A simple navy tweed trouser suit came first, followed by a dressier take on the same look, with silver edging and balloon shaped trousers. When the models emerged, the first six outfits featured trousers, rather than the traditional skirts. Photograph: Pascal Le Segretain/Getty Images The haute couture traditional closing look, bridalwear, is also casual on Chanel’s runway. These nuggets of Coco Chanel’s spirit and energy are to Viard’s Chanel shows what showbiz set-pieces were to Lagerfeld’s. Natemia cotton rope storage basket comes in modern minimalistic design and blends in stylishly with surrounding decor, meaning you can use it in every. She styled her breeches and riding boots with a white shirt and tailored wool vest for a modern, elegant look which helped set a new trend. In the 1920s Chanel designed her own breeches, based on those worn by men but adjusted to flatter her shape. Not only was Coco Chanel a keen equestrian who owned a racehorse, Romantica, she was also a pioneer in liberating female riders from cumbersome riding skirts. Viard is quietly moving her Chanel closer to the spare elegance of Coco, albeit with a dose of Lagerfeld’s 1980s pomp thrown in for fun. The show began with Chanel ambassador Charlotte Casiraghi making a lap of the room on horseback, marking the second time that Viard has featured a horse in one of her shows. Guests were required to show proof of vaccination and a negative antigen result on entry, with N95 masks a mandatory dress code, and social distancing observed on the benches. A few graphic metal sculptures silently rotated, like wagon wheels or stately spindles. A raked-sand catwalk nodded to racecourses while the uneven hillocks for spectators were, a Chanel spokesperson said, inspired by minigolf courses. The elegant, minimalist show set was created by the French artist Xavier Veilhan using plywood walkways and inflatable bench seating. A rich reference section, including an extensive index, concludes the book.Charlotte Casiraghi. It goes on to explore the collections themselves, which are organized chronologically and introduced by a short text unveiling each collection’s influences and highlights.Įach collection is illustrated with carefully curated catwalk images, showcasing hundreds of spectacular clothes, details, accessories, beauty looks and set designs ? and of course the top fashion models who wore them on the runway, from Claudia Schiffer and Linda Evangelista to Kate Moss and Cara Delevingne. This definitive publication opens with a concise history of the house of Chanel, followed by a brief biographical profile of Karl Lagerfeld. For the first time, the key looks of every Chanel collection ever created by Lagerfeld are gathered in a single volume, offering a unique opportunity to chart the development of one of the world’s most influential fashion brands and rediscover rarely seen collections. Ever since his first show for the house in 1983, Karl Lagerfeld’s Chanel collections have consistently made headlines and dictated trends the world over. Space Theme: Chanel Fall/Winter 2017 Fall-Winter 2017/18 Ready-to-Wear CHANEL Show This is one of the coolest fashion show themes ever Chanel always goes big when it comes to runway shows and they most definitely did not disappoint with the space fashion theme at their Fall/Winter 2017 show.
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